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Emersons Essay Nature Quotes Thoreau

Nature Ralph Walden Emerson and Henry David Thoreau Walden

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‘Nature’ and ‘Walden’ are two art works basically giving the similar messages to the readers. Their writers are different but one of the things which make these works similar is Henry David Thoreau is affected by Ralph Waldo Emerson’s works and ideas very much. Secondly, their essays are both inspired from transcendentalism movement. Finally, their theme are both the same, they deal with mainly the idea of ‘nature’. While comparing these two essays, it is better to look at them deeper separately. Nature is an essay written by Ralph Waldo Emerson and published in 1836.

The importance of this work is that transcendentalism arose with this art of work. Transcendentalism is mainly a combination of reason and emotion; in a more detailed way, transcendentalism is about self-reliance. One has to look into herself/himself and turn her/his face to the nature, purity and has to be away from society, and their mind is supposed not to be full of organized believes and political theories. This movement became a leading aspect in literature with the publication of Nature; therefore, when analyzing the work ‘Nature’, the main features of transcendentalism will be encountered and understood better.

In Nature, Emerson explains the relationship between man and nature. In the nature, every object is simple and sign of wisdom. In earth, as living creatures, people have pleasures and this is not only because they are human but also due to the nature. When people look at nature, they realize the perfectness, happiness of the nature. They realize the existence of God. Nature makes people realize that they are a part of God. In nature, everything is designed for humanity. People get benefits from nature. Everything in it is interconnected and they serve to people.

By this perception, Emerson also implies that nature is alive, surrounding and serving to human. By his transcendentalist perception, Emerson also implies everything that human is need of is in nature, so people must look at and live the nature, they must be purified from dirtiness of the society and industry. Emerson also defines beauty in Nature. Beauty must be searched in the nature. Beauty is the pleasure of perceiving the nature. Emerson links the morality and nature because all two has extreme purity. God give people virtue and intellect. With these features, people can reach the beauty, the ruthiness of nature.

Emerson sees these values as a part of nature, and man can be relieved only in nature. Nature connects people to each other. As a living aspect, nature has a language. Language is a combination of systematic symbols. Also nature has symbols in it. People use these symbols to be able to understand each other and the nature. In other words, nature provides people communication. According to Emerson, man and nature are in interconnection. They are dependent, if man behaves nature in a good way, so the nature serves the man in a best way.

Therefore, man has to follow the nature, has to take nature’s purity, its moral values. Nature is a present for man from God. Man uses nature to find his spirit, truth, morality and values. With the help of nature, man can get rid of earthly devilry. Nature is the last place of destination. Man came from the nature and will go to the nature again. Nature is a server of man. It is pure and stainless. If man can reach this purity, he can find his soul. If man gets rid of the society’s destroyed values and environment and keep the nature pure, nature will serve humanity in its best way.

As mentioned above, Emerson expresses his feelings about in a reasonable way. It can be seen that Emerson used both emotion and reason in his essays, which is related to transcendentalism movement. Also, in aspect of the theme, it is obvious that Emerson focuses on the self-reliance and its relation to the nature. He deals with the nature and man in a detailed way and connects these features to each other in a sensible way. Briefly, Emerson writes how the nature serves to man, how man use the nature to live in morality and purity. ‘Walden’ is written by Henry David Thoreau and published in 1854.

This art of work is a product of a real experience and inspired by the transcendentalism movement. Not only his writing style is inspired by transcendentalism but also Thoreau applied this movement, idea in his life style and wanted to experience this idea. It can be said that transcendentalism is not only an idea for Thoreau, but it is also must be put into practice in real life and this shows his pragmatic approach. Thoreau by living in a cabin for two years near Walden Pond which is formally owned by Emerson wanted to create his own perception of society and nature.

He focused on simple ways of living and self-sufficiency. He decided to direct his life in this way when he encountered Emerson’s works. He liked the idea, movement ‘transcendentalism’ and actually practiced it. Living with no money and alone, only with nature and understanding the society by this way was his main goal. He shared his experiences in his book Walden. He did not live in a wild environment as he mentioned also in his book, he lived near the town near a lake. He pragmatically wanted to see if living in this simplicity is really good or not.

In Walden, he firstly explains his plans for this two-year life in a cabin. In this simple life, he has just food, shelter, clothes and fuel. He supplies these with the help of his friends and family. In his work, he criticizes his neighbors who dedicate their lives to working for a better living. However, he, himself, also works for building his house and growing plants. He writes everyday in this house in addition to daily routines like cleaning land, preparing and growing food. He reads many books and wishes a utopian world in which people are educated very well so the all of the people would be noble and wise.

One of the aspects Thoreau argued in his book is that transcendentalism is not only an idea and it is something also that must be lived, experienced and put into life. He explains his life in this cabin within the perspective of transcendentalism. He is delighted with the beauty of nature and his basic, simple daily routines. He is delighted with not being in a rush, not being governed by money. Nature helps him to gain a more pure, clear, moral perspective and to analyze the real life by comparing it with his simple life. As a result, he criticizes the city life and its effects on the nature.

Society and industry ruins the beauty and purity of the nature. For example, he is interrupted by the voices coming from trains, railway. Railway is a symbol of city life which is ruining the nature and its natural way. His being alone along these two years is beneficial according to Thoreau, because he thinks that his solitude made him closer to the nature. He is left to his own resources in nature and the nature is the only friend of him. He has the opportunity of analyzing the nature and his desolation in the nature makes his pastoral way of life morally upright.

Thoreau wanted to experience this because he wanted to escape from civilization and experience the purity of nature. He wanted to see whether or not he could live without luxury. However, what he did in Walden is also writing and reading a lot. Like Emerson does in Nature, Thoreau also talks about the goodness of nature, being solitude and being close to the nature. They both state that man need to live in purity to relief and reach the happiness and to be able to purified from the society.

They both criticize the bad effects of society n nature, they both represent that society and industry ruins the purity and clarity of the nature. They both criticize the materialist way of living. However, in Walden it can be seen that Thoreau tries to find a way to connect civilization and nature in a pure concept. The main difference between Emerson and Thoreau is that Thoreau is pragmatics in his belief of ‘transcendentalism’. Emerson supports this idea but does not put into action. Also, while Thoreau explains transcendentalism on the basis of his real experiences, Emerson explains it only in a theoretical way.

Therefore, while Emerson only talks about the nature’s purity and society’s devilry, Thoreau also tries to find a middle course between nature and society to some point. This can be because Thoreau is more realistic and he does critics on the basis of his own experiences. Emerson and Thoreau criticized the society and industry in the same way. They both state that it ruins the nature. They both state that desolation provides people to be closer with the nature and to analyze the nature and society.

Desolation makes people understand that they are a part of the nature and the nature gives its purity to people and people must not pollute this purity by society and industry. They both use emotion and reasoning in their writings and explain things in a sensible way. However, their style is different. While Thoreau uses a more complicated language which is full of metaphors, paradoxes, sarcasm, irony, oxymoron, Emerson uses a more simple language and Emerson becomes more understandable and ‘Nature’ becomes easier to read when compared to ‘Walden’.

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Another point that must be assessed while comparing these art works must be that while Emerson puts forth the movement transcendentalism himself, Thoreau is the one who is inspired by this transcendentalism philosophy. It can be observed that by trying to look into deeper the idea of transcendentalism, Thoreau reflects the idea in a more realistic way. This is also because of the Thoreau’s pragmatic approach to the idea. Both these works have similarities more than differences, because the writers both have the same desire, they both criticize the materialism but supports the idea ‘transcendentalism’.

Author: Brandon Johnson

in Walden

Nature Ralph Walden Emerson and Henry David Thoreau Walden

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By Elizabeth Witherell, with Elizabeth Dubrulle

THOREAU'S EARLY YEARS

Henry Thoreau was born in 1817 in Concord, where his father, John, was a shopkeeper. John moved his family to Chelmsford and Boston, following business opportunities. In 1823 the family moved back to Concord where John established a pencil-making concern that eventually brought financial stability to the family. Thoreau's mother, Cynthia Dunbar, took in boarders for many years to help make ends meet. Thoreau's older siblings, Helen and John, Jr., were both schoolteachers; when it was decided that their brother should go to Harvard College, as had his grandfather before him, they contributed from their teaching salaries to help pay his expenses, at that time about $179 a year.

Harvard put heavy emphasis on the classics--Thoreau studied Latin and Greek grammar or composition for three of his four years. He also took courses in mathematics, English, history, and mental, natural, and intellectual philosophy. Modern languages were voluntary, and Thoreau chose to take Italian, French, German, and Spanish. He was never happy about the teaching methods used at Harvard--Ralph Waldo Emerson is supposed to have remarked that most of the branches of learning were taught at Harvard, and Thoreau to have replied, "Yes, indeed, all the branches and none of the roots" (Walter Harding, The Days of Henry Thoreau [New York: Alfred A. Knopf, 1970], 51)--but he did appreciate the lifelong borrowing privileges at Harvard College Library for which his degree qualified him.

ASPIRING WRITER

He returned to Concord after his graduation in 1837 and took up the profession of teaching, first at the district school and then in a school he opened with his brother John. He had already begun to think of himself as a writer, however, and when he and John had to close their school in 1841 Thoreau accepted an offer to stay with neighboring Emerson's family and earn his keep as a handyman while he concentrated on his writing.

Thoreau knew himself to be a writer from the time he graduated from Harvard. He had begun keeping a journal in 1837 and had probably started writing poetry earlier than that; he also wrote and published essays and reviews. He soon found, however, that he would have to earn his living in some other way.

GETTING A LIVING

For a steady income, he relied on two sources: the family pencil business and his own practice as a surveyor. The Thoreau family became involved in manufacturing pencils in the 1820s, and Thoreau used his talent as an engineer to improve the product. He invented a machine that ground the plumbago for the leads into a very fine powder and developed a combination of the finely ground plumbago and clay that resulted in a pencil that produced a smooth, regular line. He also improved the method of assembling the casing and the lead. Thoreau pencils were the first produced in America that equaled those made by the German company, Faber, whose pencils set the standard for quality. In the 1850s, when the electrotyping process of printing began to be used widely, the Thoreaus shifted from pencil-making to supplying large quantities of their finely ground plumbago to printing companies. Thoreau continued to run the company after his father's death in 1859. Characteristically, Thoreau put the business letters and invoices associated with the company to a second use as scrap paper for lists and notes, and drafts of his late unfinished natural history essays.

Thoreau taught himself to survey; he had, as Emerson noted in his eulogy, "a natural skill for mensuration," and he was very good at the work. In addition to working for the town of Concord, he surveyed house and wood lots around Concord for landowners who were having property assessed and those wanting to settle boundary disputes with their neighbors. In 1859, he was hired by a group of farmers who filed suit against the owners of the Billerica Dam, claiming that the dam raised the water level in the river and destroyed the farmers' meadow lands. To help support the claim, Thoreau collected evidence from many sources. He interviewed people with long experience of the river, took extensive measurements of the water level at various points along its course, and inspected all of the river's bridges. He recorded his findings in a large chart and transferred appropriate information to an existing survey of the river that he had traced. The dispute was a bitter one, arousing ill-feeling in the town: Thoreau reported in his February 17, 1860, journal entry that one of those he interviewed testified in court that the river was "dammed at both ends and cursed in the middle."

He also collected specimens for Louis Agassiz, who had brought the study of natural history to Harvard after Thoreau graduated, but he was not compensated for this work. He lectured several times a year at lyceums and private homes from Maine to New Jersey. These lectures were important in his process of composition--most of the ideas and themes in his essays and books were first presented to the public in lectures--but they were not lucrative.

In 1847, responding to a request from the secretary of his Harvard class, he described his various employments: "I am a Schoolmaster--a Private Tutor, a Surveyor--a Gardener, a Farmer--a Painter, I mean a House Painter, a Carpenter, a Mason, a Day-Laborer, a Pencil-Maker, a Glass-paper Maker, a Writer, and sometimes a Poetaster" (The Correspondence of Henry David Thoreau, ed. Walter Harding and Carl Bode [New York: New York University Press, 1958], 186). He generalized about the advantage of making just enough money to supply his limited needs in the essay "Life without Principle": "Those slight labors which afford me a livelihood, and by which it is allowed that I am to some extent serviceable to my contemporaries, are as yet commonly a pleasure to me, and I am not often reminded that they are a necessity" (Reform Papers, 160).

TRANSCENDENTALISM

Thoreau and the Transcendentalist movement in New England grew up together. Thoreau was nineteen years old when Emerson published Nature, an essay that articulates the philosophical underpinnings of the movement. Transcendentalism began as a radical religious movement, opposed to the rationalist, conservative institution that Unitarianism had become. Many of the movement's early proponents were or had been Unitarian ministers, Emerson among them.

They had found Unitarianism wanting both spiritually and emotionally, and, beginning in the late 1820s, had expressed the need for and conviction of a more personal and intuitive experience of the divine, one available to every person. "The foregoing generations beheld God and nature face to face;" wrote Emerson in Nature, "we, through their eyes. Why should not we also enjoy an original relation to the universe? Why should not we have a poetry and philosophy of insight and not of tradition, and a religion by revelation to us, and not the history of theirs?"

The Transcendentalists assumed a universe divided into two essential parts, the soul and nature. Emerson defined the soul by defining nature: "all that is separate from us, all which Philosophy distinguishes as the NOT ME, that is, both nature and art, all other men and my own body, must be ranked under this name, NATURE." A belief in the reliability of the human conscience was a fundamental Transcendentalist principle, and this belief was based upon a conviction of the immanence, or indwelling, of God in the soul of the individual. "We see God around us, because he dwells within us," wrote William Ellery Channing in 1828; "the beauty and glory of God's works are revealed to the mind by a light beaming from itself."

This conviction of immanence enabled Thoreau to write, in "Civil Disobedience," "The only obligation which I have a right to assume, is to do at any time what I think right" (Reform Papers, 65), and it supported his intense and particular interest in nature, in which the divine force is also revealed. As a reflection of God, nature expressed symbolically the spiritual world that worked beyond the physical one. Transcendentalism can be seen as the religious and intellectual expression of American democracy: all men had an equal chance of experiencing and expressing divinity directly, regardless of wealth, social status, or politics.

Initially because of Emerson's presence, Concord was a significant intellectual and cultural center in Thoreau's time. Nathaniel Hawthorne and Bronson Alcott lived there, as did William Ellery Channing the Younger. Margaret Fuller visited Emerson often, and Franklin Sanborn boarded with the Thoreau family in the 1850s. Theodore Parker, George Ripley, Thomas Wentworth Higginson, and Horace Greeley were also members of the circle of friends.

Thoreau was respected within this circle, but he was always a prickly individualist. He cared little for group activities, whether political or religious, and even avoided organized reform movements until the moral imperative of abolition commanded his attention. In eulogizing Thoreau, Emerson said, "There was somewhat military in his nature, not to be subdued, always manly and able, but rarely tender, as if he did not feel himself except in opposition."

INDIVIDUALISM

In "Civil Disobedience," Thoreau expressed his belief in the power and, indeed, the obligation of the individual to determine right from wrong, independent of the dictates of society: "any man more right than his neighbors, constitutes a majority of one" (Reform Papers, 74). While many of his contemporaries espoused this view, few practiced it in their own lives as consistently as Thoreau. Thoreau exercised his right to dissent from the prevailing views in many ways, large and small. He worked for pay intermittently; he cultivated relationships with several of the town's outcasts; he lived alone in the woods for two years; he never married; he signed off from the First Parish Church rather than be taxed automatically to support it every year.

Thoreau encouraged others to assert their individuality, each in his or her own way. When neighbors talked of emulating his lifestyle at the pond, he was dismayed rather than flattered.

I would not have any one adopt my mode of living on any account; for, beside that before he has fairly learned it I may have found out another for myself, I desire that there may be as many different persons in the world as possible; but I would have each one be very careful to find out and pursue his own way, and not his father's or his mother's or his neighbor's instead. The youth may build or plant or sail, only let him not be hindered from doing that which he tells me he would like to do. It is by a mathematical point only that we are wise, as the sailor or the fugitive slave keeps the polestar in his eye; but that is sufficient guidance for all our life. We may not arrive at our port within a calculable period, but we would preserve the true course. (Walden, 71)

If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away. (Walden, 326)

Thoreau also believed that independent, well-considered action arose naturally from a questing attitude of mind. He was first and foremost an explorer, of both the world around him and the world within him.

be a Columbus to whole new continents and worlds within you, opening new channels, not of trade, but of thought. (Walden, 321)

Thoreau's celebration of solitude was a natural outgrowth of his commitment to the idea of individual action. His neighbors frequently saw him heading out for his regular afternoon walk which took him to every stream and meadow in Concord and the surrounding towns. Contemporaries attest that Thoreau was gregarious, and he left an extensive correspondence which demonstrates the depth and perseverance of his friendships. And although he had many visitors at Walden, much of the time he was alone, a condition he savored.

I never found the companion that was so companionable as solitude. (Walden, 135)

the man who goes alone can start today; but he who travels with another must wait till that other is ready (Walden, 72)

MATERIALISM

Allying himself with an ancient tradition of asceticism, Thoreau considered the ownership of material possessions beyond the basic necessities of life to be an obstacle, rather than an advantage. He saw that most people measured their worth in terms of what they owned, and stood this common assumption on its head.

I see young men, my townsmen, whose misfortune it is to have inherited farms, houses, barns, cattle, and farming tools; for these are more easily acquired than got rid of. Better if they had been born in the open pasture and suckled by a wolf, that they might have seen with clearer eyes what field they were called to labor in. (Walden, 5)

a man is rich in proportion to the number of things which he can afford to let alone. (Walden, 82)

Thoreau proposed to determine what was basic to human survival, and then to live as simply as possible.

By the words, necessary of life, I mean whatever, of all that man obtains by his own exertions, has been from the first, or from long use has become, so important to human life that few, if any, whether from savageness, or poverty, or philosophy, ever attempt to do without it. (Walden, 12)

Most of the luxuries, and many of the so called comforts of life, are not only not indispensable, but positive hinderances to the elevation of mankind (Walden, 14)

my greatest skill has been to want but little. (Walden, 69)

He grew some of his own food, including beans, potatoes, peas, and turnips. He ate wild berries and apples, and occasionally a fish that he had caught, and once killed and cooked a woodchuck that had ravaged his bean-field. He so arranged his affairs that he had to work only a little at a time for his upkeep, and he kept a broad margin to his life for reading, thinking, walking, observing, and writing.

For more than five years I maintained myself thus solely by the labor of my hands, and I found, that by working about six weeks in a year, I could meet all the expenses of living. The whole of my winters, as well as most of my summers, I had free and clear for study. (Walden, 69)

It is not necessary that a man should earn his living by the sweat of his brow, unless he sweats easier than I do. (Walden, 71)

TECHNOLOGY AND PROGRESS

Thoreau, himself an inventor and an engineer of sorts, was fascinated by technology, and the mid-nineteenth century saw a series of inventions that would radically change the world, such as power looms, railroads, and the telegraph. But these inventions were products of a larger movement, the industrial revolution, in which Thoreau saw the potential for the destruction of nature for the ends of commerce. In Thoreau's view, technology also provoked an excitement that was counterproductive because it served as a distraction from the important questions of life.

perhaps we are led oftener by the love of novelty, and a regard for the opinions of men, in procuring it, than by a true utility. (Walden, 21)

Our inventions are wont to be pretty toys, which distract our attention from serious things. They are but improved means to an unimproved end, an end which it was already but too easy to arrive at; as railroads lead to Boston or New York. We are in great haste to construct a magnetic telegraph from Maine to Texas; but Maine and Texas, it may be, have nothing important to communicate. (Walden, 52)

The railroad was made the symbol of technology, and the language Thoreau uses to describe it expressed his ambivalence.

I watch the passage of the morning cars with the same feeling that I do the rising of the sun, which is hardly more regular. Their train of clouds stretching far behind and rising higher and higher, going to heaven while the cars are going to Boston, conceals the sun for a minute and casts my distant field into the shade, a celestial train beside which the petty train of cars which hugs the earth is but the barb of the spear. The stabler of the iron horse was up early this winter morning by the light of the stars amid the mountains, to fodder and harness his steed. Fire, too, was awakened thus early to put the vital heat in him and get him off. If the enterprise were as innocent as it is early! If the snow lies deep, they strap on his snow-shoes, and with the giant plow, plow a furrow from the mountains to the seaboard, in which the cars, like a following drill-barrow, sprinkle all the restless men and floating merchandise in the country for seed. All day the fire-steed flies over the country, stopping only that his master may rest, and I am awakened by his tramp and defiant snort at midnight, when in some remote glen in the woods he fronts the elements incased in ice and snow; and he will reach his stall only with the morning star, to start once more on his travels without rest or slumber. Or perchance, at evening, I hear him in his stable blowing off the superfluous energy of the day, that he may calm his nerves and cool his liver and brain for a few hours of iron slumber. If the enterprise were as heroic and commanding as it is protracted and unwearied! (Walden, 116-117)

NATURE

Thoreau was a dedicated, self-taught naturalist, who disciplined himself to observe the natural phenomena around Concord systematically and to record his observations almost daily in his Journal. The Journal contains initial formulations of ideas and descriptions that appear in Thoreau's lectures, essays, and books; early versions of passages that reached final form in Walden can be found in the Journal as early as 1846. Thoreau's observations of nature enrich all of his work, even his essays on political topics. Images and comparisons based on his studies of animal behavior, of the life cycles of plants, and of the features of the changing seasons illustrate and enliven the ideas he puts forth in Walden.

All day long the red squirrels came and went, and afforded me much entertainment by their manoeuvres. One would approach at first warily through the shrub-oaks, running over the snow crust by fits and starts like a leaf blown by the wind, now a few paces this way, with wonderful speed and waste of energy, making inconceivable haste with his "trotters," as if it were for a wager, and now as many paces that way, but never getting on more than half a rod at a time; and then suddenly pausing with a ludicrous expression and a gratuitous somerset, as if all the eyes in the universe were fixed on him,--for all the motions of a squirrel, even in the most solitary recesses of the forest, imply spectators as much as those of a dancing girl,--wasting more time in delay and circumspection than would have sufficed to walk the whole distance,--I never saw one walk,--and then suddenly, before you could say Jack Robinson, he would be in the top of a young pitch-pine, winding up his clock and chiding all imaginary spectators, soliloquizing and talking to all the universe at the same time,--for no reason that I could ever detect, or he himself was aware of, I suspect. (Walden, 273-274)

The grass flames up on the hillsides like a spring fire,--"et primitus oritur herba imbribus primoribus evocata,"--as if the earth sent forth an inward heat to greet the returning sun; not yellow but green is the color of its flame;--the symbol of perpetual youth, the grass-blade, like a long green ribbon, streams from the sod into the summer, checked indeed by the frost, but anon pushing on again, lifting its spear of last year's hay with the fresh life below. . . . So our human life but dies down to its root, and still puts forth its green blade to eternity. (Walden, 310-311)

Once it chanced that I stood in the very abutment of a rainbow's arch, which filled the lower stratum of the atmosphere, tinging the grass and leaves around, and dazzling me as if I looked through colored crystal. It was a lake of rainbow light, in which, for a short while, I lived like a dolphin. If it had lasted longer it might have tinged my employments and life. (Walden, 202)

The love of nature that is evident in Thoreau's descriptions in Walden is one of the most powerful aspects of the book. The environmental movement of the past thirty years has embraced Thoreau as a guiding spirit, and he is valued for his early understanding of the idea that nature is made up of interrelated parts. He is considered by many to be the father of the environmental movement.

BEFORE AND AFTER WALDEN

Walden is Thoreau's best-known book, but other works of his written both before and after Walden have met with favorable responses. All of his writing except his poetry is expository--he wrote no fiction--and much of it is built on the framework of the journey, short or long, external or interior. A Week, The Maine Woods, Cape Cod, and the essays "A Winter Walk," "A Walk to Wachusett," and "A Yankee in Canada," for example, are all structured as traditional travel narratives. The speaker--and it is useful to remember that almost all of Thoreau's published essays and books were first presented as lectures--sets out from home in each case, and the reader experiences the wonders of each new place with him, sharing the meditations it inspires, and finally returning with him to Concord with a deeper understanding of both native and foreign places and of the journeying self. Other essays take the reader on different kinds of journeys--through the foliage of autumn ("Autumnal Tints"), through the cultivated and wild orchards of history ("Wild Apples"), through the life-cycle of a plot of land as one species of tree gives way to another ("The Succession of Forest Trees").

Nature is Thoreau's first great subject; the question of how we should live is his second. One series of his essays deals with issues of personal exploration and renewal. In the 1830s and 1840s a wave of reform movements of all kinds swept New England. The issues involved ranged from women's rights to temperance, from education to religion, from diet to sex. In general, Thoreau did not support reform movements; after he was invited to join the model community at Brook Farm, he wrote in his Journal, "As for these communities--I think I had rather keep batchelor's hall in hell than go to board in heaven.--" The one movement with which he finally could not resist an alliance was abolitionism. Although he wrote in Walden,

I sometimes wonder that we can be so frivolous, I may almost say, as to attend to the gross but somewhat foreign form of servitude called Negro Slavery, there are so many keen and subtle masters that enslave both north and south. It is hard to have a southern overseer; it is worse to have a northern one; but worst of all when you are the slave-driver of yourself. (7)

and was at first reluctant to speak at abolitionist rallies because he felt he was expected to follow certain formulas, he later gave several impassioned lectures in response to the enforcement of the Fugitive Slave Law and in support of the activities of John Brown. Considering his neighbors' dismissive responses to Brown at the news of his death, Thoreau wrote,

I hear another ask, Yankee-like, "What will he gain by it?" as if he expected to fill his pockets by this enterprise. Such a one has no idea of gain but in this worldly sense. If it does not lead to a "surprise" party, if he does not get a new pair of boots, or a vote of thanks, it must be a failure. "But he won't gain any thing by it." Well, no, I don't suppose he could get four-and-sixpence a day for being hung, take the year round; but then he stands a chance to save a considerable part of his soul--and such a soul!--when you do not. No doubt you can get more in your market for a quart of milk than for a quart of blood, but that is not the market that heroes carry their blood to. ("A Plea for Captain John Brown," Reform Papers, 119)

Thoreau's most famous essay is "Civil Disobedience," published in 1849 as "Resistance to Civil Government." The incident that provoked him to write it took place in July 1846, while he was living at Walden. Coming into town to have a pair of shoes repaired, he was arrested for non-payment of the poll tax assessed against every voter, and spent a night in jail. He was released the next day, after one of his relatives, probably an aunt, paid what was owed, but the event gave him the impetus to attack the government in a classic antiwar, antislavery piece that gave support to the passive resistance of Mohandas Gandhi, Dr. Martin Luther King, Jr., and other twentieth-century conscientious objectors.

Some critics now consider Thoreau's Journal his most innovative and exciting work. In it he was able to show his thoughts in their natural relation to one another, not forced into a thematic arrangement, or stretched or lopped to fit the constraints of formal exposition. The natural alternation of observation and reflection provided a rhythm that suited his temperament and style. He usually walked in the mornings and, using field notes that were almost a shorthand to remind him of what he had observed, wrote in the afternoons, although he sometimes postponed the composition and wrote several days' entries at once.

Thoreau's careful observations of the cycles of growing plants, of water levels in the local rivers and ponds, of fluctuating temperatures, and of many other natural phenomena are recorded in his Journal. They became the basis for a series of lists and charts that provided precise information for several essays in Transcendental natural history that remained unfinished at his death, and that show him developing another kind of writing--more scientific than his excursions but no less poetic.

 



This essay was written in 1995 for an exhibit commemorating the 150th anniversary of Thoreau's move to Walden Pond and his writing of the American classic, Walden; it has been updated for inclusion here. References are to Walden, ed. J. Lyndon Shanley (Princeton: Princeton University Press, 1971) and to Reform Papers, ed. Wendell Glick (Princeton: Princeton University Press, 1973).

For a version of this essay in Estonian, translated by Karolin Lohmus in 2017, go to ELU LÕPUKS KORDA HENRY DAVID THOREAU.

Added October 2017

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